Find your next VFX artist

Hi, my name is Thomas Frose. I am a 3D Artist, 3D Generalist, Environment Artist, Technical Artist based in London, UK with over 3 years of experience working in the Immersive Experiences industry. My skills are 3D Modelling, Environment Art, Texturing, Lighting,Layout, Particles, Shaders, Generators, Compositing and Video Editing. The tools I use are Blender, Unreal Engine, Maya, Photoshop, Substance Painter, Substance Designer, EmberGen, Premiere Pro and After Effects.

VFX Artist with 16 years of experience in high-end VFX production for film, commercial, and digital media. Specialized in compositing, tracking, 3D integration, and cinematic effects. Flexible, fast learner, and always eager to grow and adapt to the latest project needs.

With 10 years of experience in the VFX and animation industry, I've built a strong foundation across film, TV, and feature animation. I began my career in Matchmove, Layout, and Asset Modeling, gradually progressing into senior and lead layout roles across various studios. I've been fortunate to contribute to major projects, including The Crown, Pinocchio (live-action), Percy Jackson and the Olympians, and Dogman. Throughout my journey, I’ve collaborated closely with multiple departments, trained artists, and helped streamline production workflows to ensure seamless transitions into lighting and compositing.

Ever since my years at Toronto Metropolitan (Ryerson) University, studying Computer Science, I knew I would pursue a career in the Animation/VFX industry. This field perfectly captures my passion for film and storytelling, my technical skills in software development, and my fascination with Digital Content Creation tools. This same passion continues to motivate me today to constantly learn, refine my skills, and strive to be a leader in this industry. My first industry experience at Guru Studios as a Junior Pipeline Technical Director was an extremely valuable learning opportunity. I enjoyed collaborating with and learning from my teammates while implementing industry practices to optimize the animation pipeline. However, given the proper resources, there was no better growth opportunity than working on projects independently. This hands-on approach allowed me to learn and implement tools and automated processes for Maya and Houdini using Python while also deepening my understanding and proficiency with Universal Scene Description (USD). What made these experiences particularly rewarding was seeing the tangible impact of my work—tools I developed directly supported artists in creating assets and sequences for projects like Paw Patrol and Charlotte’s Web.

I am a Senior Flame Artist/Compositor with over 12 years of experience in VFX and post- production, specializing in compositing, 3D integration, and color correction for feature films, commercials, and episodic content. I am proficient in industry-standard software such as Autodesk Flame, Nuke, Maya, Mocha, Syntheyes and Adobe Suite. Expertise in compositing, lighting, and teaching, with a strong technical foundation and practical experience in all aspects of visual effects. Demonstrated success in leading and managing artist teams, ensuring project deadlines are met .Passionate about mentoring and guiding future VFX professionals.

I'm an FX TD based in London with over 5 years of experience in Film, Episodic, Advertising and Feature Animation coupled with a solid background in computer engineering. My expertise spans a range of effects, including large and small-scale fluid, volumetrics, pyro, particles, rigid bodies, and vellum simulations, as well as procedural effects. The projects I worked on include: Dune: Part Two, Fast X, Meg 2: The Trench, Aquaman and The Lost Kingdom, Amazon's Secret Level.

Conscientious and passionate about VFX with 8 years experience in post, 4 years in VFX production. I would describe myself as organised and approachable within a team and pride myself on my attention to detail. Proficient in excel, Shotgrid and Forecast. Familiar with CETA. Credited most recently on Sky’s Lockerbie and ITV’s The Winter King. Working within the UK remotely.

With over 15 years of experience in visual effects compositing for feature films, TV series, and commercials, I bring a deep expertise in managing and delivering complex VFX sequences. As a Senior/Lead Compositor, I have collaborated closely with VFX and Compositing Supervisors to achieve creative and technical goals, while also leading teams of artists to execute high-quality visual effects. As a certified Nuke instructor, I have mentored junior artists, sharing my knowledge and fostering talent within the team. My core skills include: And my skills cover the following: • Expert-level proficiency in Nuke and other leading compositing tools • Practical knowledge of photographic lighting techniques • In-depth understanding of the end-to-end VFX pipeline • Python scripting experience and knowledge • Deep compositing methodologies • Mastery of color theory, chroma keying, rotoscoping, tracking, and grain management • Comprehensive experience in color pipeline management from camera to final output (LUTs, DI process)

30+ Years experience working in advertising post production. File ingest, artwork prep, QC, client and final delivery encode tasks performed to the highest standards. Happy to help out with any tasks.

I am reaching out to express my interest in global opportunities that align with my expertise in Render Management, Data I/O Operations, and Data Management. With extensive experience in render farm administration, data synchronization, archival, and restore processes, I have worked closely with production and technical teams to ensure efficient resource allocation and seamless data flow. I am ready for office or remote work and available for immediate joining. Please let me know if any opportunities match my experience.

Freelance Senior Flame Artist who has been working in the Post Production industry for 20+ years now, having started as a runner all those years ago. I spent 6 years in the VT areas, 3 of which were as Operations Manager at “Wiseman” and “Blue Post Production” in Soho, London. After then moving into the VFX side of the industry I cut my teeth on a Quantel Henry for a couple of years before moving onto Autodesk Smoke and then Flame. I spent 13 years working for the old “VTR” group of companies in Soho, Within this group I worked for Blue Post Production, VTR (Videotape Recording Ltd.), and at Prime Focus London’s In house facility for JWT - “KPost” as a Senior VFX Artist. This has meant working on a wide variety of projects, including Music Promos, Feature Film and Episodic work but mainly Commercials. Needless to say I have become very accustomed to the fast turn around times and tight deadlines that come with such work. After a year abroad travelling, I came back to the UK and joined Envy Post Production as a Senior VFX Artist where I spent almost 3 years. This added some experience of shortform broadcast work with such clients as Discovery, E4 and Ch4, along with continuing commercials work. I left to enter the Freelance market and have really enjoyed the freedom it gives along with the experience of seeing how different companies work. I have worked for numerous companies including Untold Studios, Absolute, ETC, Rascal, Elmntl, The Mill (London, New York & Chicago), and Unit among others. I am available for remote or in office work across UK, Europe and US timezones. I have my Own Flame setup should you require it. I have 2 internet lines to protect against any connection outages, with the fastest of those lines being Full fibre and offering Over 900mb/s Upload and download speeds for fast online file transfers. Please don’t hesitate to contact me if you need any further information or would like to book me.

I am camera tracking and matchmove artist. I have 5 years of experience .I have good knowledge of 3d equilizer,maya,nuke . I work on many Hollywood and bollywood movies.I have good communication skills and team working.

As a Layout and Matchmove Artist, I specialize in camera, object and body tracking, CG cameras, set dressing, projection set-ups, camera takeovers, and camera stitching, continuity and lots of troubleshooting, contributing to a variety of films and TV shows. I'm always eager to collaborate on innovative projects, learn and explore new creative challenges.

Experienced 3D Animator with over 12 years in the industry, specializing in keyframe and motion capture animation for VFX films, TV series, and AAA game cinematic. Notable projects include Godzilla x Kong: The New Empire, Aquaman 2, Call of Duty: Zombie Terminus, and MechWarrior 5: Clan. Proficient in Unreal Engine, Maya, and MotionBuilder, with a strong ability to create high-quality character and creature animations.

Filmmaking professional with significant industry experience at major Animation and VFX studios, working on projects including feature films, live action television shows, commercials, and short subjects. My experience has touched most aspects of film production, from pre-production to production through post-production, in both creative and technical capacities. Specialties: Leadership, Editing, VFX Editing, VFX Supervision, VFX Set Supervision, CG Layout and Previs, CG Camera, CG Set Building, CG Set Dressing, Technical Direction, Sound Design, Creative Writing, Software and Pipeline Design, Element and Shot Breakdowns, Documentation and Presentation, Department Supervision and Management, Photography.